Frisco! A City of Manifold Attractions: A Free-Verse Poetry Photoessay Odyssey with Your Humble Poet Pt. 4: The Golden Gate
photo credit M. Humphris
They say they paint this thing
full-time, year round
from one
end
to the end
all up and down,
and when you get it done -
it's just one long look back
again
down that whole span
of long hard work, of days
and days, and weeks
and weeks, one long hard look to see
how far you've come
how far you'll have to go again
before you back it up, and run
take one long narrow-eyed look back
all down that length of cable swoop,
so graceful-hung, with nothing slack
a harp, for monstrous angels to perform upon;
a cruciform and bar for some gigantic puppeteer
to pose, and hold his form,
and cock his ear with far-off gaze
awaiting cue, he'll still his hands
until the signal comes to jerk the strings -
make cars and people dance
the cables droop their tautened cords
while pinioned up upon the track
of jutting tower, thrusting proud
with atlas-load upon its back
look past that awesome, squarish brute
and past his brother, all the way
way down the other end -
your starting point
is just about to start
its fade,
and flake,
and peel, and if
you're not right quick
- its rust, as well.
In aid of job security,
I accidentally took a toll,
a scrape of brick-red paint -
- I must have just kicked back my heel
and left a heart-red smear
on leather black (and maybe smudge of
black, on red?)
it must have happened when
we posed, after we'd walked
half-way across
when we walked back
- you noticed it.
I'm never going to buff it off.
They say they paint this thing
full-time, year round
from one
end
to the end
all up and down,
and when you get it done -
it's just one long look back
again
down that whole span
of long hard work, of days
and days, and weeks
and weeks, one long hard look to see
how far you've come
how far you'll have to go again
before you back it up, and run
take one long narrow-eyed look back
all down that length of cable swoop,
so graceful-hung, with nothing slack
a harp, for monstrous angels to perform upon;
a cruciform and bar for some gigantic puppeteer
to pose, and hold his form,
and cock his ear with far-off gaze
awaiting cue, he'll still his hands
until the signal comes to jerk the strings -
make cars and people dance
the cables droop their tautened cords
while pinioned up upon the track
of jutting tower, thrusting proud
with atlas-load upon its back
look past that awesome, squarish brute
and past his brother, all the way
way down the other end -
your starting point
is just about to start
its fade,
and flake,
and peel, and if
you're not right quick
- its rust, as well.
In aid of job security,
I accidentally took a toll,
a scrape of brick-red paint -
- I must have just kicked back my heel
and left a heart-red smear
on leather black (and maybe smudge of
black, on red?)
it must have happened when
we posed, after we'd walked
half-way across
when we walked back
- you noticed it.
I'm never going to buff it off.
Comments
...you know Lit profs would have a field day with it, right? Bridges, Life, Love, Time, Strength, Futility, Age...
But it reminded me of Billy Collins. Who, let us take note, is a fucking genius.
Billy Collins, and those of his high ilk, are why I know the world is in good hands; my contributions best directed elsewhere than poetry.
Besides, I can still put it out for free! Who can stop me? Sweet deal for all involved.